That was really the only song on the album where he just didn’t get it. Just in case you’re misinterpreting my commentary as negative criticism, let me clarify: the apparent lack of anything closely resembling a pulse in The Replacements’ performance on “Nightclub Jitters” is just about the most perfect thing they ever did. It also comes with a 12" x 12" hardcover book with rare photos and new notes by Bob Mehr, author of Trouble Boys: The True Story of the Replacements. I pretended I was a punk, I pretended I was a rocker, and a drunk, and a hoodlum. Just try to imagine Murrow intoning that line as if he were opening one of his broadcasts from the scene of The Blitz: “This . The limited supporting harmonies are a nice touch, adding a bit of sweetness to balance the power chord attack without softening it. Its release as the lead single—a pretty questionable decision from any perspective—has been blamed for the weaker-than-anticipated sales of Pleased to Meet Me. Review by JohnXDoesn't USER September 28th, 2015 | 11 replies. He said, “If ‘Alex Chilton’ had been called ‘Buddy Holly,’ it could’ve been the Weezer song.” Litt seemed to be implying that the Replacements should have done something like that, but I think it would have been all wrong. “I. You write these amazing songs. “I Don’t Know” is a hard-driving update on the band’s current status featuring Westerberg on the calls and Tommy Stinson and Mars on the responses. You don’t have to be like them in order to relate to them. Oh by the way, I saw the Replacements in 1991, five months before they called it quits, and I remember that bassline from “Alex Chilton” sticking in my head for days afterwards. I don’t know of any producers who always got it right; even George Martin screwed up a few times. The Replacements' Pleased to Meet Me marked the moment when Minneapolis met Memphis. Change ), You are commenting using your Twitter account. The key to interpreting the song lies in what appears to be a throwaway line in the first verse. Post was not sent - check your email addresses! According to Mehr, Tommy Stinson heard that Prince Gabe had died “fucking a whore,” adding, in what were no doubt rapturous tones, “That’s the way we wanted to go out. Paul Westerberg would write several songs about suicide, but “The Ledge” was by far the most controversial. . Internal strife also wasn’t helping things much. I’m in love with that song.”. These recordings all have a raw, intimate quality that sounded polished on the LP. You know that he’s on his game in the second line of the song when he elongates the completely unimportant word “right” in the phrase, “Step right up son” with gravelly delight. Having now reviewed three Replacements albums and listened to all the others, I can safely say there never was nor should there have ever been a perfect Replacements album. Taken as a whole — along with Replacements’ biographer Bob Mehr’s ever-excellent liner notes (which shed some light on Bob Stinson’s departure) — the holistic skyway-view of the album shows a band that was a little looser than they would want to let on. In Pleased to Meet Me, Bill Sullivan sets out to explain what makes us, well, us. James Brown & The Famous Flames – Live at the Apollo, Update on Life, International Relations and the American Boycott, Book Review: Sleeping with Patty Hearst by Mary Lambeth Moore, Trouble Boys: The True Story of the Replacements, King Crimson - In the Court of the Crimson King - Classic Music Review, Fleetwood Mac - Future Games - Classic Music Review, The Kinks - Face to Face - Classic Music Review, Blur - The Great Escape - Classic Music Review (Britpop Series), The Kinks - Come Dancing - Classic Music Review, Frank Sinatra - In the Wee Small Hours - Classic Music Review. Every Replacements record is extraordinary in its way, but none exemplifies their garbage-to-grandeur alchemy like Pleased To Meet Me, which rocks like early Kinks, swaggers like T. … What he couldn’t do was fake it. In gearing up for their sophomore major label album the band began recording demos in a hometown studio. Let me buy you a drink.” Then I’d take them to my shag-carpeted apartment and fuck them all, taking care to ensure that the three young’uns would survive the experience. Sexy, sinuous and sensitive wins out over lean and hungry every time. 'Pleased to Meet Me' is considered the 'sell-out' album but really it sounds like a slightly more buffed up and moderately less consistent 'Tim'; I still like it a fair deal, the curveball tracks in particular ('Nightclub Jitters' and 'Skyway') do an excellent job of breaking up the track flow and stop monotony from their typical sound setting in. The band’s previous five LPs were snarky slacker masterpieces full of chintzy songs about hating music ’cause it’s got too many notes, ironic Kiss covers, and the occasional tender ballad, and their concerts were more like drunken hootenannies — all of this sloppiness was what won them their legend. Let’s hit the reset button. His three Big Star albums and the fabulous anti-masterpiece Like Flies on Sherbert didn’t do dick as far as the charts were concerned but turned out to be a source of inspiration for bands driving the alt-rock/indie movements in the ’80s and ’90s. 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